March 26 got by me. It was on March 26, 1959 that Raymond Chandler, writer and creator of the world’s most famous detective, Philip Marlowe, died in La Jolla, California. Chandler wasn’t a prodigious writer; he wrote only seven Marlowe novels in addition to several short stories. During his later years, following the enormous success of Marlowe, he forayed into screenwriting and some literary criticism. Film buffs are keenly aware of Chandler’s contributions to the finished product of Double Indemnity where he teamed with another of Hack’s heroes, director Billy Wilder, to produce the perfect movie script. He was paid gobs of money for this and a few other scripts but he hated the work because he hated the people who ran the movie business. He never lost his fascination with Southern California which makes sense if you’ve ever been there. I didn’t say he loved SoCal. He entertained an equipoised attitude toward the region - mesmerized by its geography, attracted to its mystical beauty, fascinated by the Pacific but repulsed by its crass commercialization and urban sprawl and all of this well before the 60’s and beyond. His last ten or twelve years were sad indeed as he became a bit of a recluse, holing up in his house in La Jolla, caring for his invalid wife Cissy (who was fifteen years his senior) and battling the bottle and insomnia. He spent those sleepless nights corresponding with various recipients. Those letters were later collected and published in a compelling book, The Letters of Raymond Chandler. It is riveting reading.
But even with his declining years and the sorrow he endured at the end (it’s wasn’t pretty), his contribution to literature is significant. He made Marlowe, a man for all seasons, as one of us, an ”everyman” whose strength, endurance, understanding and lack of pretense is a model for me, certainly. And he raised crime fiction to an art, something that no other writer had ever accomplished before or, in my opinion, since. Chandler best described him.
“To me Marlowe is the American mind; a heavy portion of rugged realism, a dash of good hard vulgarity, a strong overtone of strident wit, an equally strong undertone of pure sentimentalism, an ocean of slang, and an utterly unexpected range of sensitivity.”
Chandler has been gone from us for 50 years but Marlowe lives. And look at all the manifestations of the character. I know I’m in the minority here but I still think that Bogart was one of the weaker portrayals. Mitchum, of course, was supreme with his ennui and world-weariness (Farewell My Lovely [1975], The Big Sleep [1978] but what about James Garner in Marlowe (1969) or Powers Boothe in the HBO series Philip Marlowe, Private Eye (1982)? Each one managed to catch the “literary” Marlowe as opposed to the wooden performance of Bogart in The Big Sleep (1946) or a very goofy Marlowe as enacted by Eliot Gould in The Long Goodbye (1973), the latter being my favorite Chandler novel of the seven.
Marlowe lives.